In Suzi Gablik’s Conversations Before the End of Time Ellen Dissanayake describes
art as ‘making things special’ - marking things we care about as extraordinary
and important.
It sounds simple, but creative attention
can have dramatic effects, especially when tracing or revealing what’s already
there - or just beneath the surface.
In the book, The Oil Road, Platform artists
James Marriott and Mika Minio-Paluello ‘make special’ a line from Baku in
Azerbaijan to the City of London.They trace the metre-wide pipeline that
delivers oil from below the Caspian seabed to the Caucasus mountains, onto
ships at the port of Ceyan in Turkey, across the Mediterranean to Trieste and
onto refineries of Northern Europe processing the ‘liquid fossilised ecosystems’ that fuel our
daily lives.
There is poetry, compassion and dedication
in the way this line is traced. A Carbon Web connects the banks, governments,
law firms, universities, NGOs, and cultural institutions that give the Oil Road
licence to operate. A story surfaces of environmental havoc, oil companies in
hock to repressive regimes, of social and economic injustice. At two metres a
second, a million barrels of oil a day rumble beneath the communities spread
along its five thousand kilometre path. Imagine: a trillion dollars a day
travelling under your farm, orchard or field. In an Azerbaijani village, while visiting
families living close to the pipeline,
Marriott and Minio-Paluello are nearly arrested for following the line
and ‘looking around’.
BP would like this ‘energy corridor’ to be
‘safe, silent, unseen’ but in a heroic act of ‘making special’ The Oil Road’s
art pays attention to hidden truths. A restoration song for the biosphere is
wrested from the unstable mix of power, history, politics, geology, economics
and engineering. Imaginative space is made for us to join our own dots, sowing
seeds of awareness about how it could be unpicked and redrawn differently. The
‘geology of elsewhere’ comes to our front door, with our own political and
financial institutions integral to its flow.
I imagine the constant pulsing of black crude oil beneath the ground. My
finger swishes my phone and I zoom in on Sumqayit, one of the world’s most
polluted landscapes, north of Baku. I’m awakened, complicit, connected. It’s become
clear: our current energy realities need dismantling and replacing with
alternative energy futures.
From Baku to Bell Lane Creek
The book’s last words sound clear as a
bell. A tanker on its way to us is ‘a
climate bomb, partly commissioned by our city. We can defuse her.’ The Oil Road
becomes a ‘how to’ manual of how this could be done. A story of revealing but
also of restoring, returning, recovering.
Platform combine art, activism, research and
education, and have traced lines closer to home to re-imagine the renewal of
rivers and our city. Down Bell Lane Creek I find what I’m looking for: a tidal
bell hung high on a sluice gate where the River Wandle meets the Thames. The
cold bites into my hand as I remove my glove to take a picture of this part of
Platform’s 10 year old Delta project, part of their initiative to reveal
London’s hidden rivers, which led to the creation of RENUE - a bold plan to
install renewable energy systems in Wandsworth and Merton. The inscription ‘Salmon, Swan, Otter, Heron,
Eel’ honours wildlife found there once and that might be found again. Once devoid of oxygen, the Thames has come
back to life. The River Wandle, once polluted and rubbish-strewn is better
loved. It has a festival, a trail, wild life returning, and at Merton Abbey
Mills, an Archimedes Screw. I want to
ring the bell and say: ‘Making Special.
Pay Attention.’
‘The river is a metaphor of what can be
done and a reminder that things can change...we can retreat from our untenable
position in the war against the biosphere.....we can retreat from the Carbon
Web and enable a different future for this city’.
We can retreat, we can recover.
Lucy Neal is a founding member of Transition Town Tooting and author of Playing For Time, a handbook of transitional arts practice that
charts the imaginative and creative response to the challenges we face. lucy@lucyneal.co.uk